Author Archives: graemelawrence

The year I started high school. Let’s see what movies I was missing out on: And the music my underdeveloped ears couldn’t appreciate:

January: February: March: April: May: June: July: August: September: October: November: December: Other:

The Dreaming. The first album produced by Kate Bush alone, The Dreaming is a unique, experimental release that blends styles, samples and lyrical themes, resulting in an overwhelming experience that may need to be tackled in parts to avoid exhaustion. There’s a very 80s and yet very unique intro in “Sat in Your Lap”; followedContinue reading “The Sound of 1982.”

Poltergeist. The Freelings are a typical, suburban American family, living in their quiet, little, white bred, redneck, mountain town of Cuesta Verde, California. The patriarch, Steve, falls asleep in front of the TV one night; his youngest daughter, Carol Anne, wakes up, walks downstairs to the now off-air, static-showing TV and begins talking to theContinue reading “The Cinema of 1982.”

Is this thing still on? And the music…

January: February: March: April: May: June: July: August: September: October: November: December: Other:

Breakfast at Tiffany’s. There were only five things I knew about Breakfast at Tiffany’s before I sat down to watch: within two minutes of the opening credits an elegant Audrey Hepburn (1) wearing that iconic black dress (2) is serenaded by Moon River (3) as she enters Tiffany’s jewellery store (4); and it wouldn’t beContinue reading “The Cinema of 1961.”

Joan Baez, Vol. 2. From the first heartbreaking syllable, Joan Baez bestows the misery and oppression that has been felt by women throughout history. The acapella “Wagoner’s Lad” immediately sends shivers down the spine, a personal, yet at times playfully risqué, tale of a young woman defying her parents dreams and daring to make herContinue reading “The Sound of 1961.”

In Rainbows. A brief hiatus and the launch of Thom Yorke and Jonny Greenwood’s solo careers followed the previous Radiohead release, 2003’s Hail to the Thief; yet here we are, four years later, and the Oxfordshire outfit have produced their most personal record to date. The self-released In Rainbows begins with the sharp break-core ofContinue reading “The Sound of 2007.”

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